A Writer's Life

The Mail I Get

I've been getting variations of this email a lot lately, so I thought I'd share my answer to this one here:

Lee, 

 I was wondering about your time management. How long does it take for you to write your blog everyday, and what type of writing schedule do you have, and is it iron-clad? Do you keep a notebook with you in case ideas pop up when you are doing errands, etc.? Do you have moments when you don't know where your current story is going, and how do you fix that?

Love your books,

Thanks,

Teri

I prioritize based on deadlines, Teri. The project with the nearest deadline gets the most attention. Then again, sometimes I prioritize based on money. The project that's paying me the most gets my immediate attention...I mean, I am not going to move a project that's paying me, say, $3000 ahead of something that's paying me $35,000. That said, I've never missed a deadline, even when I had two broken arms, regardless of how much (or how little) I was getting paid.

I don't blog everyday. Sometimes I will blog two or three times in one day...sometimes I will go a week or more without blogging. I use the blog as a way to warm up before writing, or as a way to avoid writing, or as a way to stay at the computer when the writing isn't going well. You can sometimes tell by the nature of my posts how I'm using my blog at any given moment... (well, at least my brother Tod can tell). 

I do carry around a notebook for ideas,  story points or scenes for whatever I happen to be working on at any given time. I never leave the house without a notebook or a book to read. 

What question haven't I answered? Oh yes, I often have problems with my books and scripts. I fix them by, well, fixing them. Often the problem lies not in the scene I'm struggling with but with the bigger story or character point that got me there.

I always outline before I write...so at least I know where i am going and roughly how to get there....but I inevitably deviate from the outline.

The Mail I Get

I got this very odd email today  (I've edited out  his publisher and the title of his book):

This is not a fan letter but just let me say that my folks and I loved Martial Law (my mother was amazed at how agile a fat guy couls be) and Sliders especiallly the episode where Rhys-Davis hunted down babies to kiss in his campaign for public office.

Anyway, a new ebook imprint, XYZ, published a pdf ebook sf/f/h poetry collection by me, XYZ. The poems are comments on the body of work by sf/f/h authors and other creators in the three fields. I hope you consider ordering one.

This is strange but as I am writing this letter an idea for a series idea popped into my head. Before I write it down I would like your permission before I pitch it to you.

I'm not quite sure what to make of this one. At least he was pleasant, polite, and asked me if I was interested in his pitch before he sent it to me. But still...what was he thinking? Did he really believe I'd reply "Oh yes, that book sounds fantastic. I love poetry about sf authors. I'm ordering a dozen copies of your PDF for myself and my family. And please send me any TV series ideas that occur to you. I would love to hear them." I'm simply astonished by how clueless some people are. 

But I didn't say any of that in my response to him. I saved that for you. Instead, I congratulated him on his book, told him I wasn't interested in his series ideas, and wished him the best in all his endeavors.

The Mail I Get

I got an email today on Facebook from  somebody I don't know (I "friend" everybody except scammers and phone sex operators) from a writer's organization that I've never heard of. It read:

I've heard good things about you for awhile.

Maybe it's good timing that you just added me as an FB buddy.

Our scheduled speaker for November 14th just had kidney failure -- and I'd be your new BFF if you could jump in and man the guns for that Saturday at about 6:30 PM.

I hope you can help a local boy out, here. ;-))

I replied:

I appreciate the invitation but I'm going to have to pass.

Here's what he wrote back:

I'm sorry and a bit surprised. Good luck in all you do. Keep me apprised of your successes.

Maybe I'm just tired, or in a bad mood, but I have to admit, his reply really ticked me off.  He's  "a bit surprised?" What the hell is that supposed to mean? So here's what I wrote to him:

Why are you "a bit surprised?"

I guess that you assumed that I'm always available for any group that asks me to speak, any time, any where.

Or perhaps it didn't occur to you that I might have other obligations on Nov. 14...or that I might be on tight deadlines to deliver a script and a book by the end of November....or that I have spent too many Saturdays away from my family lately...or that I might have any number of other reasons for having to pass on being your speaker.

Or perhaps you simply assumed I'd drop everything for you and were "a bit surprised" when I didn't.

I don't know your reasons. But I was "a bit surprised" by your comment.

He got back to me a short time later.

Wow, I'm not sure what invoked that?! "Surprised" that you were not succinct but curt - and that you weren't open to some amicable dialogue. "Surprised" because I'd heard good things about you....

What was he expecting? A tearful apology instead of a polite rejection? A detailed explanation and a plea for forgiveness? Or perhaps he was hoping I'd promise to speak to his group at my earliest convenience? Then again, maybe he would have settled for lunch and a dedication in my next book. 

From now on, maybe if I can't say yes to a request from a stranger, I just won't respond at all.

The Mail I Get

I got this today from someone asking about Advance Reader Copies of books, commonly known as ARCs.

I'd like to know how far in advance authors/publishers generally send out ARCs. If they only do it for a review, do they wait to hear back before printing, or just go ahead? If they want a blurb, do they state so with ARC and wait for it, or do they do all of this earlier than the regular ARCs?

ARCs are sent out three to four months before publication. If the ARC is being sent out for an author's blurb, there is, of course, a letter accompanying it along with a deadline for receiving the quote. That said, nobody sends out an ARC to someone for a blurb without the author or publisher contacting the person first to see if they are willing to read it and if they can make the deadline. 

If the ARC is being sent out for review, it's not to gather blurbs for the cover. The purpose of sending an ARC out for a review is to get a review. Nobody expects that the reviews will be published in time for use on the book cover. That's because critics are reviewing the books for readers, so the reviews are usually published when the book is actually available for purchase (the exception are trade publications like Publishers Weekly, Kirkus and Booklist...and sometimes its possible to get the review on the cover in time for publication).

The Mail I Get

I get two or three emails a day like this from strangers:

Forgive the intrusion. I want to connect with you and request your expertise as to the best way to pitch a series treatment to the cable and over the air TV networks.

I'm sure you've heard this story before. I have a treatment for a 60 minute scripted, dramatic series. [...]My treatment is registered with the WGA and I have an NDA that I can send to anyone interested in reading it. Do you have any suggestions on who to approach and how? I realize I have no track record, but, I'm certain it will grab someone in the first 30 seconds.

I don't have time to answer the question individually for people, so I usually refer them to my book SUCCESSFUL TELEVISION WRITING and to this old blog post. Afterwards, they either tell me their situation is special because their Really Great Idea for a Television Series is the Best Really Great Idea for a Television Series to come along in decades...or they call me a jerk for not offering to read their Really Great Idea for a Television Series, refer them to my agent, and give them the names of people to contact in the industry.

And so it goes. You've heard it all before from me, again and again, and it's getting as tiresome for you to read about it as it is for me to deal with it. 

But this time I'm leading up to a variation I received on the usual request and I think the exchange is worth sharing with you. I got the following email a few days ago:

I'm writing you because I read your blog and I thought that you would be a great source for information on finding writers. I am currently looking for writers for a couple projects that I'd like to produce and/or pitch and I was wondering if you could give me advice on finding writers for TV and Film. Are there any great messages boards or events to attend? Also, I know you're not a lawyer, but how should I protect my ideas and the writers ideas/work if they were to send me anything. Hope you can help!

That was a new twist on the old question for me. So I replied:

First, let me ask you a couple of blunt questions...with no offense intended (these are questions you need to ask yourself, too, before setting out to work with writers). What does a writer need you for? What is the incentive for a writer work with you developing your ideas into screenplays or pitches...as opposed to just trying to sell his own ideas? You mention that you'd like to produce...but do you have any actual producing experience?

I got a very nice reply, but it was clear that she was still missing the point of my questions:

I appreciate you taking the time to get back to me. I'm actually an actress here in LA and I see so many voids on TV and in Film and it's really been frustrating me lately. I have several projects/ideas that I'd like to put together, not for me to act in, but to produce to fill those voids, specifically, in single camera comedy for TV. I don't have any connections in Hollywood or producing experience, but I have the passion and desire to do what I need to do to make things happen. Also, I know people with producing experience who would be more than willing to help me along the way. The only problem is, I'm not a writer and I feel that writing for TV, especially comedy, requires great skills. If all else fails, I will write. I just thought that in LA there has to be writers that are looking to get their work out there as well and who are trying to target the same audience that I'd like to reach. This is my reason for reaching out to writers.

Here's an excerpt from my response:

Please don't take offense at what I am about to say, I just want to be honest and straight-forward with you, it is not my intent to insult you or hurt your feelings.

In Hollywood, ideas are cheap and execution is everything. What is NYPD BLUE? A bunch of cops in NY solving crimes. ABC didn't buy the idea...they bought Steven Bochco doing cops in NY solving crimes. What is EVERYBODY LOVES RAYMOND? A married guy with kids whose parents live across the street. CBS didn't buy the idea....they bought popular standup comic Ray Romano and veteran comedy writer/producer Phil Rosenthal executing that idea. What is BOSTON LEGAL? A bunch of lawyers in Boston. ABC didn't buy the idea...they bought David E. Kelley doing lawyers in Boston. The networks buy voice and experience and relationships and proven success. I'm saying all that because what you have are ideas...and you are looking for writers to flesh them out. But since you aren't a writer, and you aren't (as far as I know) an actress who has a huge following or production deals, you don't really bring anything to the party, so-to-speak. You don't have the voice, experience, the relationships, or the proven success.

The best way for you to find writers is to network among your friends. Perhaps you can find a friend of a friend of a friend who has writing talent but lacks inspiration (perhaps a friend of one of those producers you know) You need to find someone who wants to work with you because they like you on a personal level...not because you are offering any real opportunity...because, let's face it, you aren't.

Why not try writing the scripts yourself...why wait until "all else fails?"

I haven't heard back from her yet, but I'll update this post if I do.

The Mail I Get

There's something almost as bad as the complete strangers who want you to read their unpublished manuscripts, read their scripts, and listen to their pitches. It's the people who expect you to be at their beck-and-call for discussion, whether you want to talk with them or not, simply because you are in the public eye. Here's an example.

I got an email from a stranger on Facebook who wanted to share with me a bad experience she had with a vanity press. She wrote, in part:

My name is X and I had a book published with XYZ. Please tell me more of what you know. Having my story published didn't feel like a skam. I had to do all the editing, which I knew nothing about. It was a long process only because I was learning as I went along. [...] Yes they try to get you to buy alot of thier gimmicks. Afraid I fell for a couple because we want to believe it will help sell our books. Have any good advice for me?

I replied, in part:

My advice is NEVER pay to be published. You are throwing your money away. As far as XYZ goes, they are a vanity press and they prey on the desperation and gullibility of aspiring authors. They will tell you whatever lie you want to hear as long as your credit card is valid

She took issue with that and wrote me another email. Here's an excerpt:

You made a remark that has really bothered me. It came across as degrading talented authors, saying we were being taken for a ride. That we were desperate and our desperation was making us gullible, really sounding like we are all stupid. I see you have accomplished a great deal with your writing. I am sure a lot of self pub. authors are doing as well. I'm working on that my self with my book. I've had great responses and reviews. I was not desperate. I just wanted a fast way to get my book out.

I ignored it because I had nothing more I wanted to say. So, she started nagging me for a response by posting comments on my Facebook wall every few days, like this one:

Still waiting Lee. Please tell me you're a nice guy.

So, in other words, by not responding to her email and her constant nagging, I am, by default, not a nice guy. Josh Olson was right in his essay when he says you really can't win with these people. You are damned if you respond and damned if you don't. So here is what I wrote:

That last line -- "I just wanted a fast way to get my book out" pretty much explains why you got taken by a vanity press. The truth is, that very few self-pub authors are doing well...99.9% of them never even come close to making back their investment. The only ones who make money going to vanity presses are the vanity presses. I'm sorry if you were offended by my remark but the fact is, regardless of how talented you are, you were gullible and naive...and, by your own admission, desperate ("I justed wanted a fast way to get my book out"). XYZ counts on people like you.

One other thing, a bit of advice on dealing with authors and people you don't know: I don't work for you. I am not your child, your teacher, or your shrink. I am responding to this email as a courtesy. Chiding me repeatedly on my Facebook page as if I am your employee, or as if I have nothing better to do than talk with you, is NOT a way to win friends or influence people.

Believe it or not, I have other priorities in my life ...all of which are more important than responding to a complete stranger who didn't hear what she wanted to hear about her self-publishing mistake...and instead of leaving it at that, decided that nagging me was a bright idea.

I fully expect to get an email back where she tells me her tale of woe and then informs me that I am an insensitive prick who doesn't want to help others.

UPDATE 10/11/2009: I don't know whether she read this post or not, but I heard back from her. She did end up telling me her tale of woe, and about all the hard work she put into the book...but instead of calling me I'm a jerk, she apologized very politely:

Please accept my apology. I am not the person you have perceived me to be. I would like to be a friend. If you don't I will understand. I am no one special, not looking for fame. I do admire anyone that writes for a living. It's not easy. I feel really bad for the way I went about trying to interact with a stranger. We both felt like we were being disrespected.

UPDATE 10/13/2009:I didn't reply to her apology. So I got this email from her today:

Alot of my facebook friends that are alot more famous than you, did not like what you said. You could have posted an apology as I did.

Some people never learn. She doesn't realize it, but she is exactly the person I perceived her to be.

I Will Not Read Your F--king Script, Part 2

Yesterday, I talked about how Josh Olson wrote a great piece explaining why he won't reading your script...and that, on the same day that I read his article, I had an experience that proved him right. Here's what happened. A stranger wrote me:

I have a great idea for a TV series...oops, you've heard that a million times. But really I do. Can I send you the Treatment I have written and get some help pitching it?

I replied:

Nope. (And you are the 27th person to ask me that today. No kidding. And the day isn't over yet).

...and I sent him a link to Olson's piece. And within minutes, he was twittering things like this:

Sick of arrogant TV writers who write crap that we have to watch on TV.

And this:

I am talking about Lee Goldberg...what a f'n snob...and he sucks.

Today, he sent me this note:

I joined Facebook in part, my arrogant friend, to sell my book and to network. That is what Facebook is for in part, as well as reconnecting with family and old friends. Therefore, I reached out to you to network. But like the arrogant prick you are, instead of simply saying no thanks, or ignoring my request, you slap me around as if I was a moron. I had a bad day yesterday, involving one of my children, and didn't need your snotty lecture. So go away. I get your drift. You got lucky and think you are somebody now. But know this, my arrogant friend, what you dish out to the world comes back to you.

And the replies from his friends to his twitters reflected a similar point-of-view:

fuck Lee Goldberg and his arrogance. He lives in a phony world of recycling idiot ideas. Perhaps I'm missing something, but has any Hollywood writer *lately* managed to write a good work of fiction? I dunno, perhaps Lee Goldberg has some sort of defense for that episode of "She Spies" that he helped write in committee.

And this from the guy who initially wrote me:

What does Lee Goldberg write - that Monk nonsense? That's why I spend the evening (when not writing or reading) flipping through the numbing crap on TV that is written by the arrogant "professionals" full of themselves that they can't mentor a struggling author along.

Of course, he thought well enough of me to hit me up to read his stuff...I became an arrogant asshole and author of mind-numbing crap after I said no.

I am stunned by the arrogance of these people, telling me that my professional success isn't the result of talent or hard work, but rather it is some kind of entitlement. And that by not reading their work, or listening to their ideas, or coaching them on pitching, I am an asshole. My time is their time to do with as they please. They also assume that I am not interested in helping anyone else achieve what I have.

These jerks know nothing about me, or the time and effort I devote to sharing my experience with others. They don't know about the many days I spend each year teaching TV writing, giving seminars, or speaking about writing at high schools, universities, conferences, and libraries locally, nationwide and around the world, mostly for free. 

In the last six weeks, for example, I spent seven days at the International Mystery Writers Festivalin Owensboro, Kentucky teaching, speaking, and moderating seminars on tv and mystery writing to the public. At no charge. I taught a three-hour course on TV writing to students at Cal State Northridge. At no charge. And I spent a day giving a seminar on TV writing to a delegation from China Central Television.

But what I didn't do is drop everything in my life to read some stranger's treatment, listen to his idea for a TV series, and coach him on how to pitch. 

So obviously I am an arrogant, talentless, asshole.

I have committed the unforgiveable sin of deciding how to use my time and how best to give back to others. And not letting some stranger decide for me. 

So, when it comes to this guy and all those outraged, wanna-be writers who they think own me and my time, I think Josh Olson really nailed it when he said:

I will not read your fucking script.

UPDATE 9-11-09: The pissed off stranger who wanted me to read his treatment has responded. What follows is his email to me, verbatim, minus the title and link to his self-published "manifesto" on new belief system that will revolutionize society.

Blah, blah, blah. Whippy shit. Whining ahole. If you spent all the time trashing me trying to help me instead, we might both have a better feeling about you. Doth protest too much, my friend. You have a guilty conscience as you should. Hard work, my ass, you got lucky, friend, pure and simple. Given the chance, I would write you off the page.

And look who's talking about people skills. All you had to do numbnut, was ignore me, or give me a website where to send my treatment, an address, something. Instead, you bastard, you give me a snide, insensitive stupid article. And a bunch of messages that are just pure mean-spirited. I might be dying of cancer or have a kid dying of cancer, but you don't care.

Who says I want to succeed in Hollywood anyway - if it's populated by untalented, arrogant mean-spirited likes of you, I don't need it. It will be TV's loss not to have my treatment.

Read my book, XYZ

Know what it says, you strunes - death is the only reality. I will certainly see you at some point there, in some afterlife. And maybe I'll buy you a beer, and then again, maybe I won't.

The Mail I Get

Those incompetent hucksters at Bookwhirl are back. This week they cold-called a major, A-list novelist I know, offering him their inept "services." The guy who called my friend, who is a household name, sounded like someone from Dell Customer Support in India and had no idea who he was speaking to.

Even though I have repeatedly trashed Bookwhirl here on my blog, today I got a solicitation from them. It was from "Marketing Consultant" Melissa Adams, who apparently hasn't mastered English yet:

I came across your book, “Mr. Monk is Miserable” and I find it very interesting. Our company, Bookwhirl.com is really interested to help you in promoting your book/s online because we find out that your book/s deserves to be recognized

And that's the most coherent paragraph in her pitch. Imagine how dumb and gullible someone would have to be to hire these dimwits. I wrote her back and suggested that she take a few English courses before trying to portray herself as an expert in promotion.

The Mail I Get - Mr. Monk Edition

MR. MONK AND THE DIRTY COP was released two weeks ago, so perhaps that's why I've been getting deluged with Monk-related emails lately. Here's one I enjoyed:

I am a BIG fan of your books- I have read every Monk Book (except the latest), every Psyche book (except the latest), and I have all the Diag Murder books (I've read the first two).[...] In MONK IS MISERABLE they refer to events in the TV episode MONK CAN"T SEE A THING. Hence that episode takes place in the same universe as your novels. AH-HA, the events of MONK AND THE FIREHOUSE are similar, so whichever one came second, Monk or Natalie or someone should have said WOW- This is JUST LIKE our other case.

This is, of course, a silly plot point.

[...]Diag Murder and Monk novels are in the same universe since they both interact with the same detective in Hawaii. Monk and Psyche novels are in the same universe since Natalie meets with a people who help out quirky deteritives and one of them is clearly Gus (though he is not named). The novels and TV shows take place in the same universe. Gus's Uncle who thinks that Gus is Psychic watches alot of TV. He mentiosn the TV SHOW Diagnosis Murder.

AH-HA- in the Psyche universe Diagnosis Murder is a TV show. So it can't be real.

This is, of course, a silly plot point. 

The fact that I noticed these things and am writing to you about them is an immense compliment.

...which is exactly how I took it. Here is how I responded: 

You have a keen eye! Here are some trivia for you.  William Rabkin writes the terrific PSYCH novels. We wrote an early episode of PSYCH together...and we wrote the "Mr. Monk Can't See a Thing" episode of MONK which was, of course, based on my book MR. MONK GOES TO THE FIREHOUSE. 

Ian Ludlow is a character who also appears in the DIAGNOSIS MURDER and MONK books....and Ian Ludlow the pseudonym I wrote under in the early 1980s.  Is your head spinning yet?

I got some other nice notes. Here's a sampling:

I'm thrilled you are continuing the Monk book series. It always frustrates me when "stars" (who have wanted to be famous all their lives) hit paydirt with a huge success ... and then can't seem to quit fast enough because they need to conquer new lands or whatever. As much as I hate to see the Monk TV series end, I'm thrilled I can still buy new stories in the book series. If anything, they are far better than any TV episode ever was. Thank you.

I assured him that the end of MONK has nothing to do with the stars being unappreciative of their success and the interest of their viewers. Quite the opposite. They have been doing this show for over 100 episodes and I suspect that they want to end while they are still at the top of their game (as did the stars of CHEERS, SEINFELD, MARY TYLER MOORE, MASH, NEWHART and lots of other shows). I think it also takes some guts to walk away from success rather than milking something until it withers away. That said, I share his sadness, too, that the show is ending.

Here's one more from the email bag:

I wanted to take a brief moment to express the enjoyment my family has found in your Monk novels. We have all been fans of the TV series since its inception, yet we have only recently discovered your novels via Amazon.com. I ordered all of them last week and I, along with my wife and 14-year old son, are in the process of reading them now. Your novels are a seamless transition from the TV series, and I can pay no higher compliment than that. It’s great to know that Adrian Monk will continue to crack cases for the SFPD even after this final season concludes on USA Network.

It's emails like that one hat keep me going on days when the writing isn''t going so well. Finally, I got this one today:

I just read 'Mr. Monk is Miserable'. I didn't know there were Monk books (AND Diagnosis Murder too), I'm in heaven. Anyway, in chapter 26, at the end of Natalie's description of her time with Stottlemeyer interviewing victims of Chalmers' ID theft activities; there is a sentence that reads "The captain managed to prove that Le Roux's theory about Barlier's scheme was right." Isn't it supposed to say Chalmers? If it is not a typo and it is supposed to say Barlier can you please explain why, because I'm a bit confused.

I haven't answered that guy yet...it has been so long since I wrote the book, I can't remember the details of the plot and I just don't have the energy to re-read it again so I can give him the right answer. Then again, I hate to leave an error uncorrected...

The Mail I Get - Monk Edition

I've received a lot of MONK mail this week. Here's a sampling. 

I just wanted you to know what your Monk books mean to me. I lost my mother on April 3rd and I can not tell you how heartbroken and emotionally distraught I am. [...]I never thought I would be laughing so soon. Your Monk books have helped keep me sane! I started with the OUTER SPACE book and from then on I was hooked. Thank you so much!

I was very touched by that email, and by this one, too:

Although it's impossible for me to know if you'll ever actually receive this e-mail, I simply had to say thank you for putting some real laughter back into my life. I just checked out your Monk book form our local library (Mr. Monk Goes To The Firehouse) and read it as quickly as time allowed. It's been a long time since I've had so many real, true belly laughs. This is a difficult economy for so many people - especially for us. [...] you have infused the book with compassion as well as kindness, especially in Natalie Teeger, as well as in the people who surround Monk. There needs to be more kindness in this world. Thank you for being tender in your portrayal of these characters. This is a very clever book and I will always appreciate the laughter you added to my days. Can't wait to read more and looking forward to my husband reading his book, as well.

I tell you, getting notes like that make all the difficulties that go into writing a book worthwhile. On the other hand, sometimes you get ones like this:

I just had to write you to tell you that your books are terrible, mainly because they are narrated by Natalie instead of Sharona or Monk himself and aren't funny and you had him drinking milk. What were you thinking!!!

And I get some unusual requests, like this:

Mr Monk has a lot of French fans, and I'm sure they would be happy to read your books! So I have a little question for you... I was wondering if you'll agree to let me do the French translation of your novels. Of course I'm not a professional translator, but I love writing stories since early childhood and I really love Mr Monk's universe.

And this:

Greetings, Mr Goldberg! I have a special request. My family and I are huge fans of your Monk books! I am embarking on a trip to South Korea [...]and I would love nothing more than a new Monk book to read on the plane. [...]I see that Mr Monk and the Dirty Cop comes out on July 7th, but my flight leaves on July 6th. [...]Any chance of getting you to send me an advance copy so I can have it in time(autographed maybe?)?

And this:

Could you do something in the Monk books involving people loving feet or people with dirty feet?

And this:

Please write a book where Monk goes to Brazil. I would be glad to help you write it.

But I also learned some things, like this:

Here's a weird fact: We know that the word "Adrian Monk" has 10 letters which is his favorite number. But if you convert the letters into the their corresponding number in the alphabet, you get 100! Weird, huh?

The Mail I Get

I received this email from an agentless, aspiring screenwriter:

I just moved to LA about a year ago.[...]I've hooked up with a producer who is a former exec at a major studio. We talked about an idea he has for a sitcom. I like his idea a lot and I agreed to collaborate with him. The thing is, I've been helping him for a while now and even wrote a pilot, all with nothing but a verbal commitment from him to "do right" by me. I do trust him and we've become friends outside of "work."

Now, I've decided it's time to get more than just a verbal commitment from him. But I am at a loss as to what to ask for.[...] So far I've written a pilot and have helped out with character descriptions and episode outlines. Now he wants me to write another episode. Do you have any advice for someone like me?

Yes, I do. You are being screwed. The producer is taking advantage of your enthusiasm, inexperience and desperation. He should know better...and, if he is truly your friend (and the seasoned exec you say he is), and if he genuinely wanted to "do right" for you, he would have put a deal in writing before you started writing a word...for his protection and yours.

Don't do ANY more work for him or let him send out the script to anyone unless a deal is in place between the two of you.

Since you don't have an agent, you should consult with a lawyer. You should also visit the WGA website and get a copy of the applicable minimums and/or go to the Samuel French Bookstore and get a book on Entertainment industry contracts.

I'm not a lawyer or an agent, but some of the things you should seek are compensation (at least WGA minimums) for the scripts you have written immediately upon sale of the project, a minimum royalty per episode produced (you need to negotiate an amount), a shared created by credit with the producer (though that will be arbitrated by the Guild), a producer credit & salary on the show (whether you provide services or not) and an equal share of any and all monies that the producer is getting for ancillary rights, backend, etc. That's just for starters.

The Mail I Get

I got this email yesterday: 

I recently finished three courses in screenwriting at UCLA. For my "writing the one-hour drama" classes, I wrote a spec for "Monk". [...] Earlier today I thought, "Hmmm... this could make a decent novel." Imagine my surprise when, less than a day later, I found that there ARE such things!! Since you are obviously "in the know", to whom might I pitch my "Monk" spec as a novel? Although I don't have a TV agent, I do have a literary agent, and am doing the final edits of a book I've co-authored, coming out in December.

I must get one or two emails a week like this. I wonder what makes them think it's a good idea to ask the guy who writes all of the MONK novels for his advice on how they can take his job away from him. I also wonder why they think that if someone is already writing the books that they might have a shot at it, too. Perhaps it's because the STAR TREK books are written by multiple writers...and these people haven't noticed that the MONK books are only written by one guy...me. Or maybe they are just dumb.

The Mail I Get

I got this email from an aspiring model who wants to create a reality travel show about herself and is worried about somebody stealing it.

I am in the process of trying to write a treatment for a travel show I'd like to pitch to networks, but I am afraid that even if I have my stuff registered with WGA and have it copyrighted that my idea and/or ideas will get stolen. I am just starting out in the business so I am a little naive as far as what exactly I should do. Everything I've found so far seems so negative towards beginners and isn't exactly the most helpful as far as what to do when starting out (other than to hire a show runner or give your idea to someone else, but I want to see if I can do this myself as opposed to having someone else have all the credit).I am also wondering if there is a different process regarding a travel show, since it will only follow my life and is not a sitcom.

You have nothing to worry about registering your idea with the Writers Guild. No one there will steal it from you. It is completely safe. But registering it with the WGA doesn't "copyright" it...it only establishes when you wrote your treatment and holds a copy for safekeeping.

You can't copyright an idea...only your unique execution of it. For example, how many shows have there been about cops in Los Angeles solving murders? It's not the idea that makes each of the shows different, it's the execution and the unique characters.

You may be leery of getting involved with an established producer but let's be realistic. You are a complete unknown and have no experience writing or producing television programs...so what makes you think that any network would buy a travel show from you, especially now, in this terrible economic environment? That's like sketching a car on a napkin and expecting Ford to manufacture it.

One way around this would be to do the show yourself on the cheap on the web. If you can generate some buzz with the webseries, you might attract a cable network to your idea.

The Mail I Get

Facebook is quickly becoming over-run by people promoting their books...or at least it seems that way from my mailbox. Every day I get cringe-worthy new examples of how not to promote your book. Here's one that I got today from a self-published author:

I just wanted to send greetings from New Orleans and to thank you for adding me as your friend on Facebook. I am an author with a new suspense thriller, Time Couriers, recent recipient of AmazonClicks Author's Choice Award for March 2009!

Touting yourself as an "AmazonClicks" award-winner is like screaming "I am pathetic!!" as loudly as you possibly can. 

AmazonClicks is an utterly meaningless and honorless non-accolade that has nothing whatsoever to do with Amazon.com.  It's basically a popularity contest among nobodies set-up by a fledgling e-book publisher:

These are the only awards, voted for by ordinary readers and peer authors, where world beating best sellers compete against brand new and often unknown titles from talented writers sometimes struggling to gain recognition for their work.

We also list the winners of all the major literary awards so you can choose from the very best books available. [...] A wide range of thought provoking, amusing, thrilling and heart wrenching works are always nominated. The list shows these initially in the order they are received and then they are rank ordered by votes cast. 

[...]From the hundreds of nominations that can be received each month, only the top titles, most voted for, are listed - an award in itself! 

Participation in the voting and nominations for the AmazonClicks Authors Choice Award is open only to people with an ISBN number of their own. 

The Author's Choice Award is to give peer recognition and so we need to establish the votes for this award are coming from other authors, that is why we ask for an ISBN number of one of your works.

[...]Each person has one vote except authors who can vote once in each category so they get two. A vote will continue to be counted to support a book until that book wins an award in one of the categories (Reader's or Author's Choice) after which is will be removed from that category but may remain in the other if it has also been nominated there.

Well, those were the rules. The response from readers and authors this month has been so low, that AmazonClicks is combining the two "awards" into one. 

After much deliberation, we have decided to merge the Readers and Authors Choice Awards to one monthly 'AmazonClicks Award' for the most popular book. Due to the low votes in April, this will be effective immediately. The good news is that the competition goes on.

That's a relief.  What any of this idoicy has to do with Amazon is beyond me, except that they want to imply a connection where one doesn't exist. 

While this awards hokum isn't a scam in the classic sense -- nobody is conning people out of their money -- it still preys on the insecurity, naivete and desperation of aspiring authors. 

These self-published authors are so hungry for validation, for acknowledgment of any kind, that they'll jump at anything, no matter how insipid, that offers even the illusion of acclaim and recognition.

Instead, by touting this inane "award," the aspiring authors are humiliating themselves and creating new obstacles to overcome in their quest for publishing success and professional recognition. No reputable agent, editor, or reviewer will ever take an author seriously who considers an AmazonClicks "award" an honor worth touting. 

I feel sorry for this guy.

UPDATE 5-5-09: Pete, the guy behind the AmazonClicks "awards," isn't too pleased about my comments. He says, in part:

basically he accuses us of trading off Amazon's name and running meaningless awards. I'm guessing he's never won an award and is envious of those of you who have attracted hundreds of votes for your titles. If you come across this sort of vitriol, I suggest you just ignore it because his is only one tiny, unknown voice against the many that have praised your achievements.

What's interesting is that now he's going to change the site's name (to scrap the implied connection to Amazon) and is dropping his plans to start an e-book business.

rather than give fuel to the mindless ramblings of people like the aforementioned, I intend to change the name in the near future. [...]After long consideration and polling onions around the Internet, I've decided not to pursue the eBook or any other type of selling on line. The new awards site will be just that, exclusively awards.

This is a sharp detour from just a week ago, when he had very different "onions" to report:

A number of surveys, polls and requests for feedback have been conducted to evaluate the eBook proposition and I'm pleased to report overwhelming support in favour. So wheels are now in motion to set this up

Gee, I wonder what changed. I'm sure that his new awards (WalmartClicks? BarnesandNobleClicks? PetCoClicks?) will be just as meaningful, coveted, respected, and renowned as AmazonClicks was.

The Mail I Get

This one came today from Amazon Customer Service and the subject was "Your Amazon Inquiry." But I didn't make an inquiry. Here's what it said:

My name is Janet; I am a senior member of our Connect team, a part of my job consists of deciding if AmazonConnect postings adhere to our guidelines. As such, your account was brought to my attention.

Some of your posts have been found to be spiteful. In order to facilitate customer buying choices, we encourage authors to discuss their work and information related to it, however posts that are spiteful will be removed.

If this continues, we will remove your posting privileges from your AmazonConnect account in accordance with our Conditions of Use.

My Amazon blog is a mirror of this one. I was curious which posts troubled Amazon (if it's really Amazon, of course... it's probably a ruse) and sent this note:

Spiteful? Oh my. Please indicate to me which specific posts of mine you believe are "spiteful" and why so I can better understand Amazon's thinking in this regard.

I'll let you know what they say.

The Mail I Get

Barbara Early sent me this amusing email

I thought you'd like to know what Amazon is recommending to readers of your books. I'm not sure what make of it. 

Dear Amazon.com Customer,

We've noticed that customers who have purchased or rated Mr. Monk Goes to the Firehouse by Lee Goldberg have also purchased Inside Animal Hoarding: The Case of Barbara Erickson and her 552 Dogs by Arnold Arluke. For this reason, you might like to know that Inside Animal Hoarding: The Case of Barbara Erickson and her 552 Dogs will be released on March 15, 2009. 

The book is described as an indepth look at "one of the largest and most intriguing cases of animal hoarding in recent history." Why that story would be of interest to Monk readers is beyond me. But it does give me an interesting idea for a character that Monk can encounter in the next book...

The Mail I Get

I am not a publisher, editor, or studio chief. I don't buy books or screenplays. And yet I am constantly being pitched manuscripts and screenplays by aspiring writers.  Here's the introduction from a particularly inept unsolicited pitch that I got today:

Mr. Goldbrg, 

My name is Theodore Chambers, and I am an aspiring author. No, I take that back. I AM an author. Just not published yet! I have just completed my first novel, and am sending feelers out to highly selected group of publishing industry luminarios to invite them (you!) to take your seasoned red pen to my new manuscript and mark away, giving me all your honest thoughts on pacing, character, setting, theme, and plot devices. I know in my heart of hearts that I am destined to be a famous author, and I think you will see the potential here for joining me on this journey. Just imagine if Nora Roberts had come to you, Mr. Goldbrg, and said please look at my first manuscript. If you had accepted that challenge, you would be spoken of today in even greater tones than you already are. Here is your chance to make up for missing out on that!

Let me see if I have this straight -- since I didn't have the opportunity to read Nora Roberts' first manuscript and be spoken of  in "even greater tones" than I already am, I should now devote days of my time to reading, editing, and critiquing a manuscript from a total stranger who can't even spell my name? Gee, how could I resist an opportunity like that!? But wait, there's more:

Please let me know ASAP if you would like to see the manuscript, or perhaps if you are already intrigued enough we can possibly discuss potential agents or editors. I am more than willing to cut you in on a finder's fee if anything comes from you.

How generous. Needless to say, I won't be asking to read his "soon-to-be published novel titled THE ARGOSY AGONY." Clearly, this "destined to be famous author" has simply spammed every established novelist with a blog or website (his "highly selected group of publishing industry luminarios") with his solicitation, which includes a lengthy (and awful) plot summary that's riddled with typos and miss-spellings.  The sad thing is that he doesn't realize what a bad impression he's creating among the "luminarios" that he believes that he's destined to join...and how self-destructive his solicitation actiually is.

The Mail I Get - Unsolicited Filler Edition

Lately I have been getting unsolicited offers to supply posts for my blog. Here's one that came in today from Amy Currie at Phenix Publicity:

Please find pasted below a contributed piece by author and progressive blogger James Protzman, for your consideration. Co-founder of the liberal blog BlueNC.com, Protzman was inspired to overhaul his new book, "Jesus Swept," by combining not only the elements of fiction writing, but also his experience with blogging and freelance business writing. His article shares his experience and this transition.

First off, as a piece of PR, this solicitation sucks. The first line should grab the person you are trying to sway, not numb them into a coma. Please find pasted below a contributed piece...? Ugh. It's as if Ms. Currie, a "Senior Publicist" at Phenix, didn't even make an effort to craft a creative or interesting pitch. Either Ms. Currie was too busy to care or she has a lot to learn about writing press releases and garnering attention for her clients.

Beyond the inept execution of the release, I find the basic premise of the "campaign" ill-conceived. Most bloggers blog because they have a world view, an agenda, a product, an opinion, a cause, or an idea...or a combination of all those...that they want to share. Why would a blogger be interested in an unsolicited post by another blogger flogging his book? If Protzman's blog is as good and as popular as he claims, wouldn't a post there generate enough interest (and links/trackbacks) on its own? Why would I, or anybody else, want to carry a 600 word essay (essentially an infomercial) by someone we don't know about a book we don't care about?

Well, we might if his essay was the least bit interesting or provocative, which Protzman's is not. Here's an example of his wisdom: 

With one hand in the blogosphere and the other working for business clients, I started a grand revision of my novel, mixing all three forms – blogging, business writing, fiction – into a spicy soup. I’ve learned these three kinds of writing are as different as earth, wind and fire – except when they’re not.

Uh-huh. I'm enlightened, how about you? There's 500 more words of observations like this available to fill space on your blog if you want it...

The Mail I Get

It's a cliche that everybody thinks their life would make a great story -- but now it's not just a story, it's a reality show. I got an email from a guy who thinks there's a show in his budding auto parts business. He writes:

There would be a small but dedicated market for said show on specific cable networks. Not so much featuring the building, but more the economics, structure and work that goes into the business... with the work, cars, and skills being accessories to the focus. If that interests you, and you would like to discuss further, please let me know. There are a million details, directions and avenues that can be explored within this realm.

I don't know what makes people think that they should share their reality show ideas with me, since I have never written, produced, or created one. But I guess they figure that if you're working in Hollywood, you're plugged into every facet of the TV biz. I'm not. No offense, but you're wasting your time sending me your reality show ideas.

The Mail I Get

I got an email today asking me about the 1988 ABC TV series MURPHY'S LAW, which starred George Segal as an insurance investigator and Maggie Han as his much-younger girlfriend. The email said, in part:

"I am a big fan of Murphy's Law, and I am not sure anyone else can answer my question! What happened in the unaired episode? (I believe it was called "All's Wrong That Ends Wrong".) And while I have you, were there plans for where the series would go, had it continued? [...] Did you enjoy the series? What was it like working for Michael Gleason and Leonard Stern? There is so little written about the show, I would love to know any of your recollections."

The series was based on the TRACE and DIGGER novels by Warren Murphy. Michael Gleason, the creator and showrunner of REMINGTON STEELE, was the executive producer and Ernie Wallengren was the supervising producer. Each episode was titled after one of the Murphy's Laws from the books published by Price Stern & Sloan (a company co-founded by Leonard Stern, one of our producers).

Gleason protege Lee David Zlotoff (who created MacGYVER) wrote and produced the 90-minute pilot which, as I recall, neither ABC nor New World Pictures Television was too happy with. So they brought in Michael, who re-cut it, shot some new scenes, and dropped the melancholy Mike Post theme in favor of a song by Al Jarreau. The idea was to make the show more light-hearted, though there definitely were some on-going dramatic elements regarding Murphy's battle with alcoholism and his efforts to win visitation rights with his young daughter from his estranged wife, played by Kim Lankford.

I have enormous affection for MURPHY'S LAW because working on it had a lasting impact on me personally and professionally. It was the first staff job that Bill Rabkin and I had ever had...and it came right after the longest writers strike in the history of the TV industry. We wanted the job so bad and it was astonishing to us that we actually got it.We were working on the CBS/Radford lot and sharing a floor with the staff of THIRTYSOMETHING, which was pretty cool, too.

I was a huge admirer of Michael Gleason's and, frankly, couldn't believe we were actually working for him. He was so charming, creative, funny and friendly...he couldn't have made it easier or more exciting for us... but even so, I was intimidated to actually have achieved my dream, and so afraid of failing, that for the first day or two after we got the green-light to write our script I suffered complete writer's block, which broke only because Bill was there to walk me through it. We wrote two scenes together, line by line, and it was so much fun that I got so caught up in the writing that I forgot to be afraid.

I could go on and on about the show but the best thing about it was that Michael Gleason and Ernie Wallengren were wonderful writers and producers and very nice people. They taught us everything they knew, let us into casting, editing, music spotting and every other aspect of production...and gave us far more responsibility than we had any right to have. They also became more than our bosses...they became very close friends who we would work with again and again over the years. Series regular Kim Lankford introduced her cousin Carrie (or was it her niece?) to Bill, who promptly fell in love and married her...and they are still together today.

To answer your specific questions...we worked closely with Michael Gleason and consider him our mentor. We owe our careers to him and Ernie. We met Leonard Stern many times, but he wasn't actively involved in the writing or producing of the series.

By the time we shot the 13th episode, we knew we'd been canceled and were going through the motions. The final episode, at New World's insistence, was designed as a spin-off starring Joan Severance as a thief-turned-insurance investigator. Two versions were cut -- one as a MURPHY'S LAW episode, the other as a pilot that largely cut our cast out of the action. I don't know who had the brilliant idea of trying to sell a spin-off from a canceled show but, needless to say, it went nowhere. At the end of the episode, Murphy wins his long battle for unsupervised visitation rights with his daughter and the final shot is the two of them embracing on an airport runway.  The episode never aired...but I have a copy.

As far as I know, the show has never been in syndication and the only episode ever released to home video was the pilot...

Here's the main title sequence...

The Mail I Get

I got this email today from Patrice Schoppe, a displeased MONK reader:

I just read Mr. Monk in Outer Space. Please leave the social commentary about rich vs. poor to those who are good at it. Do what you do well and write Monk books about Monk. If you want to write social commentary, do it in a non fiction book.

I replied:

Ouch! I'm not aware of any "social commentary" in my MONK books...but now that I have been forewarned, I will be sure to save any future thoughts along those lines for my non-fiction blockbuster on the changing face of American society: "I Saw a Rolls Royce in the Walmart Parking Lot"

He replied:

Hmm. . . . now I know where Monk's personality and ego come from.

The Mail I Get

I got an email from a self-published author. Here it is, in its entirety (minus his name):

Hello, Thank you so much for your time and I hope today finds you well. I write today to present 2 works…one fiction, one non-fiction which I am hopeful you may wish to review. Descriptions of both are below as well as links to read the first chapter of each. In the case of the non-fiction work a current press release (with review excerpts) is also below. Looking very forward to hearing from you. 

Wow, what a compelling pitch. Does he really think that would entice anyone to review his work? Well, to be fair, it did entice me to read the descriptions that he included. Here's the one for his non-fiction book (minus the author's name and book title):

An often terrifying journey through XYZ’s childhood in a “haunted” house through to many strange and unexplainable supernatural contacts and occurrences in his later life. Then the twist. A complete second book is added that the author feels was actually sent from an otherworldly source. Multiple cases of connections to the US 9-11 events, even mentions of the flight numbers and a description of the feelings of the World on that day are to be found in this second book. Eerily it was written and copyrighted 4 years prior to the events. XYZ feels his work was “spiritually sent through me to serve as a guide to help bring peace of mind to us all in the post 9-11 World”. 

Gosh, I wonder why he had to self-publish this one. Here's how the author describes himself on his website:

XYZ is many things. Author, award-winning Poet,popular paranormal Blogger, explorer of the strange and unusual, a guiding hand, a creator and developer, and more.

The "and more" should include nutball and sucker. By the way, I feel this entire post was sent to me spiritually from an otherworldly source.

The Mail I Get - The Risk You Take Edition

Today I got an angry email from Joe Blow whose note was the basis for one of my "Mail I Get" posts. He wrote, in part:

I am really upset that you used my email in your Mail I Get feature. I specifically told you when I wrote to you that I didn't want to see my email turn up in your Mail I Get feature and that's exactly what you did with it.  How could you? 

Because your email was insipid, Joe, and I certainly don't feel any need to comply with your orders. I don't work for you. And if you read my blog enough to know that I regularly post emails that I get, then you should have known better than to send me one if you were afraid of seeing it posted. I've said it before but I will say it again...

1) if you are a stranger, and you send me an email asking for advice, you should assume that I will post your email (minus identifying information) and my answer on my blog so others may benefit from it...or be entertained by it. That said, I probably post less than 10% of the emails I get asking for advice. There are so many blogs out there offering screenwriting and publishing advice, and who do it far better than I do, that I am picky about what I post. It has to be either a really good, or a really inane, question for me to blog about it. Yours, Joe, was really inane.

2) If you send me an email trying to sell me your book, your product, or your service, you should assume I will post your spam on my blog and ridicule it. Most of the pitches I get are too mundane to merit a blog post, though.

3) If you are a vanity press, and you send me a solicitation, you should assume I will post your email on my blog and evicerate you. That should go without saying.

Look at the bright side, Joe.  At least I don't call people fucktards...as other members of my family do.

The Mail I Get - NCIS Edition

I got this very long email from someone who would like NCIS to do an episode about something she experienced as an employee on a cruise ship. It read, in small part:

I'm sure that you get emails like this all the time. I have an idea for an episode of NCIS. I have been searching around the internet trying to figure out how to actually make this happen, and I came across your website. Before you read this, you should know that I am a very. persistant person. [...]I used to work onboard a cruise ship. In a nutshell, I witnessed something bad happen in December 2007 at the hands of my boss, my boss's boss, and the onboard Human Resources manager. I tried to report it to someone I thought I could trust, but I apparently trusted the wrong person. She forwarded my emails in its entirety to the gentlemen that I had named, and then things got REALLY bad. I wish they just fired me (I actually resigned), but it was much worse than that. To make a long story short...

She didn't make it short...or comprehensible. She went on for another few thousand words and I still don't understand what happened or if it was even a crime. She went on and on to say, in part:

I would like to pitch the story idea to a writer to create an episode for NCIS. People should be aware of what goes on, and that it can be unsafe in international waters. [...]And to answer you next question, which I presume is "Why would the NCIS team investigate something on a cruise ship", I figure that the husband character could have been a former Marine (many cruise ship employees are)[...]Can you help point me in the right direction? I'd like to see the story told. To prove to you that I am not a crazy person, I work for a prestigious film festival.

I was skeptical about her, but once she said she worked at a prestigious film festival, I knew she was cool because nobody unstable, or with unrealistic expectations about the TV business, ever work for film festivals.

I politely told her that I couldn't help her and that there was virtually no way that she'd be able to sell her story to NCIS (not that I could figure out what the heck her story actually was). I suggested that she might have better luck getting her story out, and do more good, by going to a newspaper reporter rather a TV show about fictional detectives.

She got back to me right away with a lengthy, and yet sketchy, explanation of why she couldn't go to the press but could go to a TV cop show to get her message out. She is determined to get NCIS, or some other detective show, to hear her story

I have no interest in selling the story -- I don't need, nor want, any money for it. And I'm not crazy enough to think that I would actually write the script. I am very good at what I do, but writing is not what I do. But I do know that the screenwriters get their ideas from somewhere -- so I guess what I need is for one of the decision makers to be stumped for story ideas one day, and turn to my story for inspiration.

She vowed to press on and not be discouraged. I thought about writing her back and saying that there's a reason that they say that the stories on shows like LAW AND ORDER, NCIS, and CSI are "ripped from the headlines." Because that's where they get their inspiration, from the news, not from people sending in their personal stories of crime and conspiracy (if that is, indeed, what her story is about). But I decided to let it drop.

The Mail I Get -- Still More!

I have two pieces of mail to share with you today. First off is this query from an aspiring screenwriter in Germany:

I am trying to collect experience in "stoffentwicklung" what might be similar to the expression "scriptwriting" for movies and television. I had the Idea to got to Los Angeles- Hollywood to do a trainee, but I really don't know if this is common in the same way as it is here in Germany. I would be very greatfull if you could help me on this.

I replied:

I'm not aware of all the trainee opportunities in screenwriting in L.A...but the few that I know about are highly competitive. You would be competing against graduates of the film schools at UCLA, USC and NYU, to name a few. And I suspect the trainee programs are more likely to take a U.S. writer than one from Europe. That said, it couldn't hurt to apply anyway. All it will cost you is a stamp or a click.

I got the following email from a writer who says he's trying to decide whether or not to self-publish his novel. But  it seems to me from his note that he has already decided to self-publish and is trying to justify his decision to himself:

I am an aspiring and intelligent writer who is aware that there are so many less-than-honest companies. Do you despise all self publishing or do you see the value in some authors deciding to self publish? Are there any companies in particular that you have found success with? Do you know approximately how many legitimate literary agents are available in the US and how many manuscripts they take on per year? I know that there are relatively unknown authors that do get the opportunity to publish but is there an average advancement amount that is given to a first timer? How is the figure decided? I am passionate about what I have written and I do not want the manuscript, characters, places, etc to be altered in any way. Can I get a guarantee from a traditional publisher that my work will not be manipulated or misconstrued?

Here's how I replied:

I don't know how many legitimate literary agents there are, or how many manuscripts are published each year, or what the average advance is for new writers. It's irrelevant anyway. It sounds to me like you are asking those questions to justify a decision you've already made to hand over your credit card to a vanity press. What you're implying is that it's just too damn hard to break in... and you don't want to make the effort. And since, on top of that, you refuse to even consider editing your work in any way, then yes, I think it's unlikely that you will find an agent or a publisher.

Why? Because no agent is likely to represent a newbie writer as inflexible  as you appear to be...unless, of course, your work is mind-blowingly spectacular and amazingly commercial.  And while a real publisher won't edit your work without your consent...they also won't publish it if you are unwilling to make the changes they think are necessary.

So if what you want is your manuscript to be printed in a form resembling a book without any editing whatsoever, then hell yes, call iUniverse right away. You won't sell any copies, and it will cost you a small fortune, but at least it will be printed in book form without any chance of rejection, editing...or  advances and sales. But hey, at least you will have done it your way and avoided any chance of someone telling you something you don't want to hear.

You are, in fact, exactly the kind of person vanity presses pray for...not only do they like the desperate and naive, they also appreciate people whose high opinion of their own work is only matched by their fear of rejection and lack of fortitude.

Do I despise all self-publishing? No, I don't. I despise the vanity presses that prey on the stupidity and desperation of aspiring authors and swindle them out of their money. And I have little patience for newbie writers who are so intent on finding a short-cut that they blind themselves to obvious scams.

Self-publishing is rarely a wise idea for fiction but it can work with non-fiction, especially if you have a strong platform from which to publicize and sell the book,  like teaching a class, hosting a TV or radio show, preaching to a congregation, touring as a speaker, running seminars, etc.

The Mail I Get, Part Two

I got the strangest piece of spam today from someone named Kelly Kilpatrick:

I'm interested in writing a guest article on your site A Writer's Life in order to increase my writing profile. I'm not sure what the process is for submitting an article for your review or if you have certain requirements, but if you're at all interested I'd appreciate you getting back to me, and I can send you an article for you to consider for publication. I'm planning on writing something related to your existing articles, but if you have something specific in mind just let me know. All I'd ask in return is a by-line with a link pointing back to my site.

Her site offers links to online educational institutions and vocational training services. I'm not linking to it because I don't what to give this woman any traffic.

What's amazing to me is that Kelly thinks that by spamming bloggers, and offering to blog for them, she will increase her "writing profile." She also seems to think that my blog is a magazine, and that people submit posts for my review. (What I actually think what she did was take her standard query letter and substitute "on your site A Writer's Life" where she'd usually insert the name of a magazine). Clearly, Kelly has never visited or read my blog. She also has no idea how to begin a career as a professional writer.

Here's a hint, Kelly: spamming strangers whose blogs you haven't seen and offering to write a post for them is not the way in. It is, however, a terrific way to increase your "idiot profile."

UPDATE: I've seen some of her brilliant blog posts, all of which link back to a variety of different sites that flog online education courses. Most of her inane articles are basically lists (Five Anti-Obama Blogs, Top Firefox Add-Ons You Need, Best On-Line Marketing Guides, etc) with an introductory paragraph. What amused me the most, however, was an article she wrote on how aspiring writers can achieve success. Here's her introduction:

Here’s the thing about writing – it doesn’t come easily to everyone. Yes, a lot of people do know how to speak well and articulate their thoughts with the élan of a skilled orator; but ask them to pen down their thoughts and they’re as out of their element as a deer caught in a pair of headlights. There are some people who have a way with words when they’re given total freedom, when they’re allowed to write on just about anything under the sun.

Apparently, she thinks the way to success is paved with cliches ("As out of their element as a deer caught in a pair of headlights,"  "Allowed to write on just about anything under the sun" etc.) but that particular piece of advice wasn't included in her list. For the record, her amazing advice included start a blog, leave comments on other blogs, and write interesting articles. Wow. I wish I had that sage advice when I was starting out.  Kelly is a writer who is like a fish out of water who is up shit creek without a paddle looking for a needle in a haystack. 

It wouldn't surprise me if "Kelly Kilpatrick" was just a pen name for several bad writers who are paid by a variety online education sites trying to draw hits to their pages.

UPDATE 2/5/09 - She's baaaak. 

Hi Lee, 

We just posted an article, "Top 100 Creative Writing Blogs." I thought I'd bring it to your attention in case you think your readers would find it interesting.

I am happy to let you know that your site has been included in this list.

Either way, thanks for your time!

Kelly

Wow. I am so honored.

Either this spam mill doesn't know that I've already trashed their activities on my blog...or they think linking to me in one of their "lists" will buy me off...or they are doing it for a laugh. Whichever it is, it's just one more indication of how inept they are.

The Mail I Get

I got an email today from a complete stranger that began with lots of praise for me and my Monk books. Then, after buttering me up, she got to the point:

I'm a pre-published author who is destined for success. My latest book is an 80,000 word erotic-suspense-romance-thriller and I would really appreciate it if you would read the manuscript and give me your detailed critique. I would also like a blurb I could use to help sell it (I will give it prominent placement on the book when it is published). I need your comments no later than Feb. 1, 2009.

My first thought was that this was some kind of prank. But assuming for the sake of a blog post that it's not, I am astonished by the writer's chutzpah. It's ballsy enough to ask someone you don't know to read your book...but to actually give them a deadline? Maybe she thinks the possibility of having my blurb published on her book is irresistable. Her arrogance and cluelessness is rather astonishing. I can't imagine anyone responding positively to her request.  That's basically what I told her:

I'm glad that you enjoy my MONK books. While I appreciate your kind words, I'm not interested in reading your manuscript. It takes a lot of time to read and critique a manuscript...something I might do for a student in a class that I'm teaching, or a close friend, or a member of my family. But you are none of those things. You are a total stranger to me. It's already presumptuous of you to ask someone you don't know to read your raw manuscript -- but demanding that they do so by some arbitrary deadline crosses the line into offensive arrogance. This may shock you, but I have a life of my own. I don't appreciate it when a stranger assumes, simply because they like my books,  that I am obligated to set my life aside for them. What were you thinking?!

I'll let you know if I hear back from this idiot.

The Mail I Get

I get a lot of interview requests from students doing papers and reports. I usually answer their questions. But this request, which came on Tuesday night, was an exception:

I am a student, who is writing a report on Science Fiction Novelists. I would really appreciate it if you responded ASAP, considering the fact that my paper is due Wed (tomorrow).  Can I ask you these questions? If they are too personal, I completely understand. But, they MUST be included in my paper.

• What is your salary?
• What is your typical day like when working?
• What college is recomended for writers/science fiction writers?

Also, it would be very helpful if you could tell me where I could contact other writers ASAP.

I told him that a) I don't write science fiction novels, b) he shouldn't have waited until the last minute to contact the writers that he needed to talk to and c) that no, I wouldn't give him any contact information so that he could impose on my friends.

Mr. Monk and the Family Affair

Reading MONK has become a family affair for the Richardsons of El Segundo, California,  who sent me this photo and this nice note: "Sorry to beat you out of book sales but we pass each copy from one generation to the next; Grandma, Mom & Daughter.  We are looking forward to Paris! Ellen, Susan, & Robin." They won't have to wait long -- I am sending them a galley of MR. MONK IS MISERABLE.

The Mail I Get

I debated whether to post this email or not with the actual producer's name in it. I decided that I probably shouldn't but I will give you this hint...I have sparred with him here before, which is why I got this email:

 XYZ  just called me and said he wanted to read my script. He emailed a contract and then stated that I need to pay him $600 up front against his 15% commission. I know this isn’t normal but he is a real producer. My question is, am I getting scammed here?

Yes, you are getting scammed. No legitimate producer or agent would ask you for a fee. A producer also doesn't ask for, or get, a commission on sales. He may have been a "real" producer once...but if he is asking you for $600, he's not any more.