A Writer's Life

The Mail I Get

Most of the time, I use this regular feature of my blog to make fun of people who send me really stupid emails or solicitations. Or I use it to answer a good question someone has about publishing or screenwriting. This time it's different. Apparently, I've inspired a very talented writer to hatch an insane scheme. Here's an email I got from author Matt Forbeck:

Just wanted to let you know how you helped inspire me to set off on an insane plan for next year called 12 for '12, in which I plan to write (and then self-publish) a novel a month for the entirety of 2012. I've been sitting on the fence about this for a while, but watching your progress toward self-publishing has been nudging me off.

It finally took the emergence of Kickstarter to shove me over. I set up a drive to help fund the first trilogy of books by taking pre-orders for them. It's going well so far, and I'm looking forward to one hell of a ride for the rest of the year.

Anyhow, thanks again for advocating for authors looking out for themselves and trying new things.

Clearly, Matt is crazy. But maybe it's a healthy insanity, if there is such a thing. I can't imagine writing 12 novels in 12 months by myself ( the Dead Man monthly series that I'm doing with Amazon's 47North imprint is being written with a dozen other writers). 

Matt has already raised over $6000 on Kickstarter, which is more than most publishers are offering as advances these days, so he maybe he is really on to something. And considering how prolific and versatile he is, if any writer can pull this off, it's him.

TV Main Title of the Week

TV Main Title of the Week

You Are a Billion Dollar Multi-National Publishing Conglomerate

Unlike in paper, where an author needs a distribution partner to cost-effectively reach a mass market of readers, in digital a lone author has exactly the same ability to distribute as any New York-based, billion-dollar multinational conglomerate.

In that single, succinct paragraph, my buddy Barry Eisler makes it clear why publishers are becoming increasingly irrelevant for authors...and why guys like me are turning down book contracts, even on successful series, from big six publishers in favor of self-publishing and/or publishing through one of the Amazon imprints. 

That paragraph is an excerpt from Barry's terrific guest post at Writer Unboxed -- an essay that should be required reading for authors, editors, publishers, and aspiring writers. Here some more of his sharp observations about the digital landscape.

In digital distribution, legacy publishers offer zero value. An author can distribute one-hundred-percent as effectively alone as she can with a legacy publisher. In other words, in digital distribution, an author has no use for New York. For more, see this guest post I did at J.A. Konrath’s blog, A Newbie’s Guide to Publishing (a blog you should absolutely be reading regularly).

Note that I’m only talking about distribution and I’m only talking about digital. I didn’t say that New York publishers have no value to offer in paper, in, editing, or in other areas. To me this is obvious, but I’ve learned to include this sort of disclaimer to make it marginally more difficult for dodgers, denialists, and dudgeon demons to avoid actual thought in favor of straw man arguments and other mischaracterizations of what I’ve actually said.

Third, and flowing from the first two: in a digital world, the primary value a publisher can offer an author is direct-to-consumer marketing. This is why Amazon is so strongly positioned to succeed in digital publishing: its book business is built on its ability to reach tens or even hundreds of millions of readers directly by email. Amazon marketing is both exceptionally focused (book buyers) and exceptionally broad (tens or even hundreds of millions of customers). Entities that can offer authors compelling direct-to-consumer marketing value will be in a good position to take a cut of the profits. One recent example is the L.A. Times. Think of entities that fit the bill, and you’ll be able to predict tomorrow’s publishers.

Interestingly, there’s one particular group of companies that lacks any meaningful direct-to-consumer marketing ability. That group is New York publishing. Draw your own conclusions.

But he's got more to say than just that...go read his post. You won't be sorry. 

Mr. Monk and the Mystery Magazine

My short story "Mr. Monk and the Open House," an excerpt from my upcoming book MR. MONK ON PATROL, appears in this month's issue of Ellery Queen Mystery Magazine. You can find it at your local newsstand, or download a digital copy here.

Dead Man #6: Kill Them All

Harry Shannon's KILL THEM ALL, the sixth book in the DEAD MAN series, is out today...and only 99 cents for a very, very, limited time. Here's the story:

Matt Cahill was an ordinary man leading a simple life until a shocking accident changed everything. Now he can see a nightmarish netherworld that exists within our own. Now he's on a dangerous quest for the answers to who he is and what he has become...and engaged in an epic battle to save us, and his soul, from the clutches of pure evil.

When Matt wanders into a struggling Nevada tourist trap recreation of an "old west" town, he's unaware that he’s being trailed by a Special Ops team of professional mercenaries hired by a University desperate to unlock the secret behind his resurrection...and that he's put everyone around him in dire jeopardy. The mercenaries have no intention of letting Matt escape...or letting any witnesses survive. Matt finds himself in a deadly bind. Somehow he must rally the peaceful citizens into defending themselves against the sadistic, well-armed mercenaries… or sacrifice himself to save them from certain death.

There's an interview with Harry on the KILL THEM ALL product page that gives you a peek into his writing process. Here's an excerpt:

Q: How did you get involved in The Dead Man series?

HS: In 2010, several experienced authors joined me in forming a loose organization called Top Suspense Group. Among them was Lee Goldberg, who co-created The Dead Man series. Lee asked me if I'd be willing to contribute a novella. Since I grew up on Gold Medal novels, Lancer books and other men's pulp fiction, I loved the concept and jumped at the chance. It was a wonderful experience, and now I'm looking forward to seeing how readers react to my take on Matt's character. 

Q: You've written a lot of horror books, including Clan, The Hungry and the Lionsgate movie and novel Dead and Gone. How is the horror in The Dead Man different from what you have done before?

HS: That's an interesting question. For me, horror is not a genre so much as an emotion, so it can be expressed in any number of ways. I generally gravitate towards dry humor coupled with a serious exploration of existential themes--literally the meaning of life, death and those fragile emotional attachments we form along the way. With my entry Kill Them All, I wanted to use the horror as a metaphor for moral corruption. I immediately saw Matt as the classic American hero, an archetypal loner wandering into and out of a troubled desert town, standing up to evil on behalf of the weak and downtrodden. I often set novels in Nevada, but to answer your question, this one has the feeling of a graphic novel, and though it's contemporary it is far more of a classic western than anything else I've ever done. It tempts me to try my hand at a period piece.

Sucker Country

With the launch of Book Country, Penguin is the latest major publisher to open a "self-publishing" division aimed at taking advantage of the desperation and naivete of aspiring authors and charging them outrageous amounts of money for useless publishing "services."

Joe Konrath,  David Gaughran, and many others have done a terrific job of outing Book Country for the enormous rip-off that it is.  Here's how Joe sums up their "service:" 

For $549 they will format your ebook and print book, and then upload it to retailers.

Or for $299 they will let you do your own formatting, and then upload the book to retailers.

Huh?

Formatting ebooks and paper books is tricky, but Rob Siders at52novels.com is less costly than Book Country, and Rob does an incredible job.

After formatting, you should upload your books to Createspace,Kindle, Nook, and Smashwords on your own (takes about an hour) for FREE and you're done. You're published. That's all there is to it.

Why would you pay Penguin to upload your titles? That's the easiest part of the self-publishing process.

But wait, there's more. Penguin also keeps 30% of your royalties.

So not only do you pay them, you also keep paying them. 

It's a con job aimed at people too naive to know how badly they are getting screwed...usng the same playbook as scammers like Authorhouse (the vanity press that Harlequin and Thomas & Nelson partnered with for their "self-publishing services")

The one smart thing Penguin has done is make it very clear that this "service" has nothing to do with their esteemed publishing division, thus avoiding the big landmine that Harlequin stepped on when they initially announced their own division aimed at gouging aspiring authors.

If you click on the Penguin logo at the bottom of the Book Country site, you get a disclaimer, which reads in part:

Book Country, LLC is a subsidiary of Penguin Group, a Pearson company. Though owned by Penguin Group (USA), Book Country is a separate entity, both legally and practically with full-time Book Country staff members. 

In other words, they've erected a Chinese wall between their reputable, classy publishing imprint and this sleazy, vanity press-style cash-grab from aspiring writers.  

They are being careful not to potentially tarnish their brand, provoke the ire of their established authors (who don't want their work associated with a vanity press), or face possible delisting by the major, professional organizations for writers.  

But that doesn't make Book Country any less of a rip-off. Shame on Penguin.

TV Main Title of the Week

Linda Daly Circle Jerk

Disgraced publisher Linda Daly wrote a half-dozen truly horrible novels that she printed through her now bankrupt Light Storm publishing company. Her books each have garnered two or three five star Amazon reviews... each from an author she has published. Naturally, none of those authors disclose in their reviews that Daly is their publisher.

Micki Peluso is one of those authors who left rave reviews on Daly's books and when I called her on her blatant and undisclosed conflict-of-interest, this was her rationalization: 

I would think as a "professional" writer, you would realize that reviews posted on amazon are by customers , not readers and do not qualify as true book reviews, nor does the famous "five stars" mean anything, except to boost the morale of a newly published writer.

Truly astonishing, isn't it? 

Sadly, she's not the only bonehead who abuses Amazon Reviews. Clueless wanna-bes like her have turned what was supposed to be a forum for honest reader reviews  into one big, pathetic circle jerk....just so they can delude themselves into believing that their awful books are good and maybe trick someone who isn't a member of their family into buying their unreadable swill.

I wish this was an isolated, pathetic incident. But it's not.

It's common on places like the writer forums on Kindleboards to see wanna-bes offering to give five-star reviews to other wanna-be in return for five-star reviews of their own work.  In the process, these dimwits don't see that they are totally diminishing the value of the Amazon reviews that they so desperately seek and that they are making it impossible for potential customers to believe that any reader reviews are authentic.

Please do me a small favor. Mark the fake Amazon reviews on Rebel Dove, Sea of Lies, and Doves Migration, as unhelpful. Maybe disreputable individuals like Linda Daly and wrong-headed authors like Micki Peluso, Stacie Coller, and Patricia Guthrie will begin to get the point that readers don't appreciate lies and deception.

 

TV Main Title of the Week - Based on a Movie Edition

Inept Publisher Rises from the Dead

You may remember Lightsword, the scandal-plagued publishing company that defrauded authors and crumbled under author/editor Linda Daly's ineptitude and scores of lawsuits. Well, now Daly is back with LSP Digital and has announced that she's accepting manuscript submissions next year. She writes:

Linda continues her quest and passion for writing by working on several manuscripts and screenplays; while still mentoring gifted storytellers. As much as she enjoys creating a holiday for the mind, she remains mindful that without the guidance and direction from above, none of this would be possible.

It's nice to know that Daly is on a mission from God, but what could she possibly "mentor gifted storytellers" about? She doesn't know how to write, she's never had a screenplay produced, and she clearly doesn't know how to run a publishing company. But don't take my word for it. The shameful, sordid history of Lightsword is easy to find on the Internet...and her own, um, writing speaks for itself.  Here's her description of her book SEA OF LIES:

From the opening scene, it is unclear he appears to be, or the devious and manipulative gigolo Jordan's uncle, and her friend Jules Storey, believe him to be. As two women, who look very much like Jordan, are brutally murdered, and a mysterious man shadows Jordan, fear sets in. Jordan begins to question just how well she knows her husband. Believing Grant intends to kill her, Jordan flees with Jules for the safety of her uncle's home in England that culminates into an explosive finale.

And here's her pitch for her novel PAPER HANGER.

 

Hours following the release of an inmate from Cumberland Penitentiary, the savage rash of  murders including a seasoned and honored FBI agent are discovered. Further investigation unravels a life of corruption that may include conspiring with a fugitive from one of the FBI’s 10 Most Wanted and  the unsolved Gardner Heist, valued over 500 million.Saucy, intelligent, and beautiful, Sharon Walker, a seasoned agent for the Department of Homeland Security, accepts the challenges and dangers surrounding her work, that is, until it reaches her own private world. Following the untimely deaths of her parents, killed execution style, Sharon's world is further rocked when she uncovers their secret lives as plate forgers for a counterfeit ring. Further investigations reveal that those who murdered her folks intend to keep their secret life a mystery, and will stop at nothing to assure it. Chad Lewis, (from "Sea of Lies") retired from the department is called in to uncover the truth.

 

The only thing sharper than her writing is her business savvy. LSP is launching a new line called "Coffee Break Reads" and she is generously sharing 45% of the royalties with the authors. But it's not clear what service LSP is providing in exchange for their 55% cut, since she requires authors to pay for the editing:

These stories must be in the most pristine edited condition before they will be considered for publishing. During the submission read-through process, we will determine the need for further editing, and while LSPD will not provide editing service on these reads, we will provide you with names of editors familiar with LSPD format. These editors are professionals and usually charge on average $3.00 per page. This is a one-time fee for a one-time edit, but it's well worth it, and you will be working with these editors one-on-one and completely separate from LSPD. We want these little reads to be exemplary and polished. And make note, we will not suggest you go through the editing process if we don't truly think we will publish your story. We live on tight budgets, too. We're here to help you make money, not cost you needlessly.

I suppose what Daly is offering is the same, stellar marketing expertise that has propelled her to the heights of literary obscurity and bankruptcy. Or perhaps it's the combinaton of all of that and her amazing eye for cover art, like this:

Despite her utter failure as an author, screenwriter, and publisher, she has the chutzpah to peddle a book that she's written called "ASPIRING WRITERS GUIDE: An Author Screenwriter and Publishers Perspective on Creative Storytelling, Volume 1." It's a whopping 32 pages and it's a steal at $7.98.  

I can't imagine why any sane person would get into business with Linda Daly...or LSP Digital. There's is nothing she can do for you that you can't do better yourself...and that includes flushing your money down the toilet. 

UPDATE:  I am still trying to figure out exactly what LSP Digital is going to do to earn their 55% of the royalties from the books that they "publish."  The authors have to pay for their own editing and, as it turns out, they are also responsible for all the marketing as well. She calls that LSP's "Commitment to Marketing." By that, I guess she means your commitment to marketing. Here's how she explains herself on her site:

I'm not suggesting that the marketing plan that we at LSP Digital have developed will offer you an opportunity at this year’s recipient of a Pulitzer or making the New York’s Best Sellers List.  What I am suggesting, though, is that before your career can ever take off, you need to promote your work -- create a buzz and we intend to help you.

How?  

The first thing we ask each of our authors to remember is that YOU must promote your book.  That requires hard work, dedication, persistence and a solid marketing plan as the foundation for your business.  One that we at LSP believes will pave the way to your and our success . Below is a list of fundamental tools needed to 'Market your Wares', many that LSP create for our authors to assist them in their marketing endeavors.  NOTE:  Although LSP Digital will offer support to our stable of authors, by providing them with an extensive marketing kit and valuable tools, we firmly believe that it is the author that must promote their work, not the publisher.  We publish books and should not be confused as an authors publicist.

Uh-huh. So I guess what that means is that Daly will add a cover on your book and send it to Kindle and CreateSpace for you. Well, that's certainly worth 55% and not something you could do yourself. But wait, what about all those kernels of marketing wisdom Daly can provide? Here's a taste of her marketing brilliance, which has served her so well:

** Create your own Business cards (include logo and / or tag line (see below). MS Word has templates to choose from.

** Create a Tag line - one or two sentences describing your story to use for promotional materials.

** Add an Email signature. It should include your logo and/or personal tag line.

Wow. That's powerful stuff. How come nobody has ever thought of that before? Print my own business cards? Why the hell didn't that ever occur to me? Add a signature to my emails? Sheer genius. I'm putting that advice to work for me right away. But wait, there's more. She expects her authors to:

*** Requesting that they mail out (a minimum of 100) announcement letters to family, friends and colleagues introducing their release.

*** Send an email blast announcing the release.

*** Mail an introduction press release to local & national publications, talk shows, local media and local book stores.

My God, I am breathless. Her approach is revolutionary. No, that's not giving it enough credit. Her ideas are a revelation.

It is with great pride that we at LSP Digital offer such an extensive marketing plan and support to our authors. Ultimately, we accept without reservation that it is up to the author to embrace 'Marketing Your Wares' if they are to become the success that they are striving for, we just believe that by assisting them on this wondrous journey these added steps will set LSP and our authors apart from the others. After all, LSP Digital was founded to help others see their dreams come true, and we continue to do so as we move forward in this technology revolution.

It's so great that they embrace, without the slightest reservation, that their authors are responsible for everything and that LSP is responsible for absolutely nothing. That takes guts. No wonder Linda Daly has had such incredible success as an author and publisher. Now, if you will excuse me, I have to embrace my potential and print up some business cards.

Inside the Mind of a Literary Thief

Everybody knows by now that the spy thriller Assassin of Secrets was stitched together by "author" Quentin Rowan from passages stolen, word for word, from other espionage novels. But he went even further than that... he also stole from other authors for the essays, blog posts, and the Q&A interviews that he did to promote his book.

Novelist Jeremy Duns, who blurbed the original novel, has been extraordinarily aggressive now in exposing the ruse and, in the comments section of his excellent blog post dissecting the Assassin of Secrets, Rowan shows up to explain himself, leading to a revealing, back-and-forth interview. It's fascinating stuff. Here's an excerpt of Rowan's mea culpa...

"[...] the minute I got an agent and started showing it to people who suggested changes, I began to distrust the quality of whatever real work I'd done on it. So I started ripping off passages from spy novels in my collection that fit. Somehow public scrutiny has always been the pressure point for me. Once I feel I'm doing the work for someone else's eyes, I begin stealing, because I want to impress.

Once the book was bought, I had to make major changes in quite a hurry, basically re-write the whole thing from scratch, and that's when things really got out of hand for me. I just didn't feel capable of writing the kinds of scenes and situations that were asked of me in the time allotted and rather than saying I couldn't do it, or wasn't capable, I started stealing again. I didn't want to be seen as anything other than a writing machine, I guess. Some call it "people pleasing." Anyway, the more I did it, the deeper into denial I went, until it felt as if I had two brains at war with each other. Half of my time this past year was spent in a strange internal argument: Yes I can, no I can't. They'll figure it out! No they won't! It became like a strange schizophrenic form of gambling, and for some reason - viewing myself as a failed 'literary' writer - I saw this book as my "last shot." So even though what was left of my rational mind understood I would probably be found out, I still thought I had to bet it all on this one horse."

TV Main Title of the Week

The Mail I Get

The clueless desperation of some aspiring writers is absolutely cringe-inducing. Here's a recent example from my emailbox:

Hi...I know you are busy...but...would you at least read my bio with a very short paragraph from my novel and give me some suggestion on how to have an agent read something? Please...I am not asking you a lot...I've attached my bio, and if you are interested...please...would you give it to your agent for me? Thank you for taking the time to read.

I politely declined to read her bio or the sample from her book. She didn't take the hint. A short time later she wrote back to me:

Hi Lee, I apologize for bothering you again.. I remember you told me that you didn't want to read my book...but I was wondering if you could give it to your agent to read... It's really important, my true story and I really believe it's a very good one...have a look at my blog at least to be sure I'm good...would you do that?

No, I told her, I would not.

What makes people think that I routinely forward work by strangers to my agent? I don't want my agent spending his time reading work by strangers. I want him out there finding work for me!  

That's not to say I haven't referred writers to my agent. I have. But they have always been good friends or students of mine that I know well and who I can vouch for as writers and as great human beings.  I have never referred strangers to my agent and never will. So don't ask.

Get on The Fight Card

Bill Rabkin and I aren't the only ones who had the idea of reviving the "men's action adventure series" on the Kindle. The incredibly versatile Mel Odom has teamed up with several of my good friends to launch not one, but two original ebook series... the western Rancho Diablo (with James Reasoner and Bill Crider, all writing under the pseudonym Colby Jackson) and now  Fight Card (with Paul Bishop, both writing under the pseudonym Jack Tunney).  

The series is inspired by the "fight pulps" of the 30s and 40s, which are totally unknown to me and, I am guessing, most readers out there. And that's a good thing, because Fight Card doesn't handily fit into any particular existing genre, with the possible exception of "damn good fun," which makes it unlike anything else out there for $2.99

Here's how Paul Bishop describes Felony Fists, the first book in the series:

Los Angeles 1954

Patrick “Felony” Flynn has been fighting all his life. Learning the “sweet science” from Father Tim the fighting priest at St. Vincent’s, the Chicago orphanage where Pat and his older brother Mickey were raised, Pat has battled his way around the world – first with the Navy and now with the Los Angeles Police Department.

Legendary LAPD chief William Parker is on a rampage to clean up both the department and the city. His elite crew of detectives known as The Hat Squad is his blunt instrument – dedicated, honest, and fearless. Promotion from patrol to detective is Pat’s goal, but he also yearns to be one of the elite.

And his fists are going to give him the chance.

Gangster Mickey Cohen runs LA’s rackets, and murderous heavyweight Solomon King is Cohen’s key to taking over the fight game. Chief Parker wants wants Patrick “Felony” Flynn to stop him – a tall order for middleweight ship’s champion with no professional record.

Leading with his chin, and with his partner, LA’s first black detective Tombstone Jones, covering his back, Patrick Flynn and his Felony Fists are about to fight for his future, the future of the department, and the future of Los Angeles. 

How can you possibly resist that? I know I can't. The second book in the series, The Cutman, is also available.  

(My one piece of unsolicited advice for Mel and Paul is to rethink the covers...the series title is buried in tiny type under an armpit and is totally unreadable in thumbnail, which is how most ebook buyers are going to encounter it.)

TV Main Title of the Week

The Bookwhirl Morons Never Learn

Those imbeciles at Bookwhirl, who offer inept publicity services, sent me... a guy who has been trashing them for years....a promo for their Thanksgiving sale just to prove that they still can't promote themselves effectively,  much less an author. The best proof of their staggering ineptitude as publicists is that they even have me on their mailing list.

One of the hallmarks of Bookwhirl's publicity efforts has always been their stunning inability to write. That hasn't changed. I loved this paragraph from their promo:

Early Bird Catches the Early Worm Promo is a race on catching the finest prices on the earliest dates. BookWhirl.com encourages you to harvest the fattest perks of being early. Here's a run down of how being an early bird can get your money's worth fly at an extra-extra mile. 

Nobody crafts a sentence quite like the wonderful wordsmiths at Bookwhirl. I wonder whether anyone at Bookwhirl ever went beyond the sixth grade or if they only hire non-English speakers. You can find amazing examples of their inability to craft a sentence all over their site. Here's one of my favorites, especially given the context....

Apparently, someone has been sending out emails to authors warning them not to use Bookwhirl's over-priced, worthless services. Bookwhirl has a notice on their site urging potential customers not to heed the warning:

The scammer operates by sending warning messages to authors that contains false allegations and bad publicities about BookWhirl.com that has never been proven accurate.

I'd say Bookwhirl just proved the "scammer" right. That said, I think the warnings being sent out by the "scammer" are pointless. Anyone who hires Bookwhirl after reading anything they've written deserves to be screwed over by them.

Doing the Unthinkable

There was a turning point when I realized that I’d completely shaken free of all of my previous, deeply held perceptions and beliefs about publishing….and fully embraced an entirely new publishing model.

It wasn’t when my out-of-print backlist, which the publishing industry deemed played out and worthless, started pulling in $70,000 a year for me in ebook royalties.

It wasn’t when I signed a 12-book digital, print and audio deal with Amazon’s 47North imprint for The Dead Man, a monthly series of original books that Bill Rabkin & I created, and that we are writing with a dozen incredibly talent authors, and that we began in February as a self-publishing venture.

And it wasn’t last week, when I agreed to a two-book digital-print-audio deal with Amazon’s Thomas & Mercer imprint for my new novel King City and a sequel.

It was Tuesday, when I delivered Mr. Monk is a Mess, my 14^th Monk tie-in novel to Penguin/Putnam and informed them that my 15^th book, the last in my current contract and due this coming May, would also be my last book in the series.

In other words,  I quit.

They were surprised, of course.

I am walking away from a hugely successful book series, one published in multiple languages around the world, and from the certainty of another three-book contract and an increase in my advance.

There was a time, not so long ago, when the idea of ending a hit book series, in hardcover, with a major publisher would have been inconceivable to me and just about every author I know.

But the publishing world has completely changed.

The Monk books, like the Diagnosis Murder novels that I wrote before, were licensed tie-ins. That means I was hired for an advance, and given a tiny royalty, to write books based on characters that belong to someone else. I was a hired hand…albeit one paid very well by tie-in standards.

I had a great fun writing those books, took enormous pride in them and, until recently, considered myself very fortunate to have the gig.

And in that old world, I was.

But now, in this new world, my attitude has completely changed. 

I am still very proud of the books…which is why I find it incredibly frustrating that I have written 22 novels that I dearly love but that don’t belong to me.

They belong to studios.

It’s frustrating because if they belonged to me, I could be earning so much more money from them now…and, more importantly for my family, in the future.

I won’t make that mistake again.

Instead of writing two books a year for Penguin/Putman, I will be writing that many books… or more…for myself that I own.

Some I will self-publish, others I will write for Amazon’s imprints.

But they will be mine.

I know what you’re thinking. What about those books for Amazon? Haven’t you just traded one master for another?

Every aspect of  the deals that I have with Amazon’s imprints on The Dead Man series and the King City books are far, far, FAR more author-friendly and potentially lucrative than anything I ever had before…as are my chances at success with such a savvy partner, one who, incidentally, operates the biggest and most successful bookstore on the planet.

And I own King City. If I end up writing 15 books in that series, all of those books, now and in the future, will be mine.

Ah, but what about all those writers who are doing The Dead Man books for us? Aren’t we exploiting them? Aren’t they making the same mistake I’d have made if I’d signed to do more Monk books?

Nope.  

That’s because unlike the old school publishers (and, let’s face it, publishers are what Bill and I have become with The Dead Man), we have thrown away the old rules of doing business with writers on licensed properties.

In fact, what we are doing is revolutionary in the tie-in world.

We are splitting all of the publishing royalties from digital, print, audio, and foreign translations on The Dead Man books 50/50 with the writers.

Our success is their success…and vice-versa.

We’ve made them our partners.

(And publishers of tie-ins should follow our lead…or there won’t be any tie-ins anymore, because it won’t make any financial sense for writers to write them).

The Dead Man series relaunched on Oct. 24^th and is already doing amazing business. Our next book comes out later this month.

And King City is coming in May.

It’s a bold, exciting new world for authors and I haven’t been this excited about writing since I was a teenager.