A Writer's Life

The Rave Verdict for The Jury

Bruce Grossman at Bookgasm has given THE JURY SERIES a rave review. Here's an excerpt:

This four-book collection, THE JURY SERIES, is straight-up men’s adventure material. Don’t expect complex plots; these were all about body counts and vengeance, and there is plenty of both to go around.  Originally credited to Ian Ludlow, they were actually Goldberg in disguise — a mild-mannered college student testing out his writing muscle.[...] Goldberg holds nothing back in this one, that’s for sure. Bodies pile up real quickly, proving Macklin is not one to screw with. This collection recharged my love for the genre.

Thanks so much, Bruce!

 

The Tired Procedural

Ken Levine reveals on his blog today the tired formula behind  most of today's procedural crime dramas. Here's an excerpt:

[The hero] must have some supernatural power. He or she can read minds, has an amazing photographic memory, can remember every lunch he/she ever had, is a math whiz, or the most common – can see Fairy Tale characters. 

But with this gift must come a curse. They must be tortured emotionally. They must have a dark past. Their wife/sibling/child/imaginary friend has been killed and they’re still haunted by it. 

They’re only helping the police solve crimes as a way to better get in touch with resolving the unsolved circumstances of their dark past. The killer is still out there!  But only week one and the season finale.  Otherwise, it's business as usual.  Solving crimes and tossing off zingers...

 

For the rest, check out his blog.

The Mail I Get

Here are some genuine emails that I have received over the last few weeks regarding my MONK books. I've removed the names of the authors to save them embarrassment. 

Email #1.

Can I write books for "Monk", too? I think a second perspective would be appreciated by the fans. Please let me know who to contact at your publishing company.

Email #2.

Would it be okay with you if I write MONK books if I go to a different publisher in a diferent country? Please email me ASAP at your convenience.

Email #3.

 what happened to Mr. Monk's wedding ring in the photo on the cover of  the new novel, Mr Monk and the Couch? This needs to be corrected right away.

Email #4.

You need to write some Monk books from Sharona's perspective set before Natalie showed up because she's a bitch. If you won't do it soon, I will have to stop buying your books..

 

The Mail I Get

Apparently, as an author, I have an obligation to society to be a creative writing instructor and agent at large for anyone who has written a book. Here's an excerpt from an email I got today:

[...]I haven't been able to get my novel published.  Several notable editors and agents who have seen it were, in their rejections, very complimentary about the writing quality, the plot, etc., etc.  Maybe this was just professional courtesy, though it felt authentic.   I think they just didn't see massive commercial potential, or a referral from a big name.

I do think it's a good book and should be published. And I wonder what you think.

XYZ  is an off-off-beat detective novel. That is, I think it's off-beat in unusual ways, and "on beat" as well.  I hope you'll read it, send me your thoughts on it and, if you really love it or greatly respect it, volunteer an effective connection that could get it published or filmed. 

The manuscript of the novel is attached.

Keep in mind, this lady is a complete stranger. Here's how I replied:

Thank you for your note and your kind words. I'm afraid I just don't have time to read your book and give you comments. I have a novel due on Nov. 1, and I just signed a 12-book deal with Amazon that requires me to deliver a book-a-month. Yes, you read right, a book-a-month. I also do not feel comfortable reading books-in-progress by people who a) aren't close friends or family or b) students of mine in a class, so I have deleted your manuscript unread. I hope you understand.  

She did not. She fired back a one-line response.

It's not a book in progress. It's complete.

So I wrote her back:

Yes, I understand that. What I mean is, it's not a galley of a book that's about to be published. It's an unsold manuscript...and you want a critique, which I don't have the time to do. Nor is it my practice to read unpublished manuscripts sent to me by strangers.

Again, she still didn't get it. She replied:

That's not really what I was after. I don't need a critique.  But never mind. Thanks anyway.

No, that's exactly what she was after. In fact, she wanted that and more. She wanted me to stop what I am doing to read a book from a total stranger, evaluate it, and then pass it along to all the contacts I've made in publishing and film.

I've certainly done that before...the difference is, it's been for family, friends, or students of mine. People that I know, that I have a relationship with, personally or professionally. But who is this woman to me? Nobody.

It just astonishes me how incredibly presumptuous some people can be.

Now, if you will excuse me, I have a manuscript to send to Stephen King that I'd like him read, give me his opinion on, and then send to his editor and his contacts at Dreamworks. We've never met, but that doesn't matter. He owes me. I've read some of his books.

More Word from The Dead

Ron Hogan at Reader's Entertainment has written a great background piece on THE DEAD MAN series and our new deal with Amazon. Here's an excerpt:

“Ultimately, we are the ones responsible for maintaining the consistency of the franchise and turning in great books to Thomas & Mercer,” Goldberg explains; each book is commissioned on a work-for-hire basis, with the authors receiving an advance and splitting royalties with the series’ creators. Although Thomas & Mercer will be paying a lower royalty rate than the 70 percent Goldberg and Rabkin earned while self-publishing, the deal is still “much better than what we would get from a traditional publishing contract,” he says. “In addition, we are going to move a lot more units than we would thanks to Amazon’s marketing and promotional savvy on their own platform.” 

That’s welcome news for Goldberg, who attributes much of the “great” sales for Face of Evil to a guest post he wrote for Amazon’s Kindle blog in which he described how the series was connected to his love of classic “men’s adventure” novels that flourished when the paperback market was in its heyday. “The other books [in the series] were doing fine, but not spectacularly well,” he admits. “Nowhere near what we saw as their potential, based on the amazing critical response and reader reviews we’ve been getting.”

When Amazon’s audiobook division, Brilliance Audio, began negotiating at the beginning of the summer with Goldberg and Rabkin about audio versions of the series, Thomas & Mercer quickly became involved as well. “They instantly understood what we were hoping to accomplish with the series,” Goldberg says. “They saw the potential in it and, like us, were frustrated that it hadn’t been tapped yet.”

 

TV Main Title of the Week

The Mail I Get

How not to solicit a review:

The digital galley proofs of my new biothriller XYZ are now ready for review. [...]I am not requesting a complete review, just one to three sentences giving your general opinion of the novel. You probably won't need to read the entire book, just enough of it to to form some general impressions. Of course, if you prefer reading it all the way through in order to write a more complete review, please do.

Dated Angels

My favorite jab at the new Charlie's Angels came from the New York Times:

ABC has marketed the remake with the slogan “These are not your mother’s Angels.” And that is certainly true — they are your grandmother’s Angels, throwbacks to an era when there was something contrary and cute about a woman with flowing hair and a lethal karate chop.

Priorities

I'm always trying to juggle my family and work committments to figure out the best, and most productive, use of my time. Unfortunately, writing a post for my blog always ends up at the bottom of the list. It's not like I don't have things to say about television, publishing, or the writing process...or pet peeves to vent about, publishing scams to rant about or ridiculous emails to ridicule. My "For the Blog" file on my hard-drive is full of emails, links and tidbits. But between my deadlines, business meetings, and family obligations, I just haven't had the time to pay much attenton to this blog. I don't know how my friends Ken Levine and Bill Crider manage to post new material every day...  

IAMTW Suspends Dues for 2012

These are tough financial times...and writers, particularly those in the tie-in field, are hurting. 

We want to do our small part to help out.

The International Association of Media Tie-in Writers is suspending annual dues for current and new members effective immediately and on through 2012...dues will be re-instated on January 1, 2013.

That doesn't mean we'll be shutting down and riding out the economic storm...quite the opposite. 

We'll continue to introduce our members to tie-in editors and licensing execs with our quarterly mailing of member credits and contact info...we'll continue to put out TIED-IN, our newsletter about tie-in writing...we'll continue to give out the Scribe awards for excellence in media tie-in writing...and we'll continue to moderate our highly popular private discussion board for media tie-in professionals.

And over the next month or two, we will also be renovating our website, freshening up our Facebook presence, and adding an audio category to our Scribe Awards.

We hope this will not only help our current members but also draw some new professional tie-in writers into the fold.

A Big Deal for THE DEAD MAN

Okay, I can finally reveal some of the big news I've been dying to share with you... 

I am thrilled to announce that Amazon's Thomas & Mercer imprint has picked up THE DEAD MAN series in a unique and exclusive 12-book digital & print deal ... with an option for more. But that's not all. Brilliance Audio will be also be rolling out their own editions of the books.

The five books that we've already published -- FACE OF EVIL, RING OF KNIVES, HELL IN HEAVEN, THE DEAD WOMAN, and THE BLOOD MESA -- will be re-released in the days leading up to Halloween ... so keep your eyes peeled for great offers.

The sixth book in the series will be released in November and will be followed each month by another new adventure in the continuing saga of Matt Cahill, a man resurrected from the dead to battle evil among us that only he can see.

Amazon will also be releasing three-book compilations of THE DEAD MAN series in trade paperback (as well as in specially priced digital editions). The release dates of the first compilation, and the Brilliance Audio editions, have not been determined yet ... but we’re hoping they'll be ready for Christmas.

Bill Rabkin and I will continue to run the series, which we're writing with a terrific group of action, horror, mystery, SF and western authors, like James Daniels, David McAfee, James Reasoner, Harry Shannon, Joel Goldman, Mel Odom, Jude Hardin, Lisa Klink, Mark Ellis, Matthew Mayo, Joe Nassise, Bill Crider, Matt Witten, Marcus Pelegrimas, Burl Barer, and Phoef Sutton.

And we couldn't have hoped for a better partner than Amazon’s Thomas & Mercer. I just returned from meeting with the Thomas & Mercer team (including editors Terry Goodman and Andy Bartlett) in Seattle and was blown away by their creativity, enthusiasm, and eagerness to see THE DEAD MAN reach its full potential. They get exactly what Bill and I are trying to do with this series.

And what is that, you ask?

We want to capture the spirit of the “men’s action adventure” paperbacks of the 70s and 80s – short, tightly-written books full of hard-boiled heroes, outrageously sexy women, wild adventure, and gleefully over-the-top plots – and reboot the genre for a new generation that maximizes the potential of the Kindle.

And with Thomas & Mercer behind us, I don't see how we can fail.

 

TV Main Title of the Week - Robert Conrad Edition

TV Main Title of the Week

Ebook Sales Are Skyrocketing, Paperback books Are Plummeting

According to figures released today by the Association of American Publishers, so far this year ebook sales are up 167% while paperbacks have plunged 64% and hardcovers have dropped 25%.  It's a safe prediction that the holiday season will create a sharp spike in ebook sales and an even steeper drop in paperback and hardcover sales. It won't be long now until the mass market paperback becomes virtually extinct.

Road Kill

My good friend Zoe Sharp's terrific novel ROAD KILL is now available as an ebook...and it includes a teaser chapter from my soon-to-be-published crime novel KING CITY.

ROAD KILL is Zoe's fifth novel in the acclaimed Charlie Fox series. Here's the scoop:

 Still bearing the emotional scars from her traumatic first bodyguarding job in the States, Charlie Fox returns to her former home to try and work out both her personal and professional future.

Instead of the peace for which she's been hoping, Charlie is immediately caught up in the aftermath of a fatal bike crash involving one of her closest friends. The more she probes, the more she suspects that the accident was far from accidental − and the more she finds herself relying on the support of her troubled boss, Sean Meyer, despite her misgivings over the wisdom of resuming their relationship.

And Charlie's got enough on her plate trying to work out who suddenly wants her dead. The only way to find out is to infiltrate a group of illegal road racers who appear hell-bent on living fast and dying young.

Taking risks is something that ex-Special Forces soldier Charlie knows all about, but doing it just for kicks seems like asking for trouble. By the time she finds out what's really at stake, she might be too late to stop them all becoming road kill 

Going for the Money

For years, so-called "literary" writers routinely to sneered at genre fiction as a lesser form of writing. But now more and more of those same writers,  under their own names and under pseudonyms (like John Banville writing as Benjamin Black, or Scott Spencer writing as Chase Novak for example), are turning to genre fiction because that's where the money is, as The Millions reports:

The good ship Literary Fiction has run aground and the survivors are frantically paddling toward the islands of genre. Okay, maybe that’s a little dramatic, but there does seem to be a definite trend of literary/mainstream writers turning to romance, thrillers, fantasy, mystery, and YA. Justin Cronin has produced the vampire epic The Passage.Tom Perrotta is offering The Leftovers, a tale of a futuristic Rapturesque apocalypse. And MacArthur-certified genius Colson Whitehead is writing about zombies. It’s enough to make my historical mystery about Jack the Ripper look downright pedestrian.

[...]So while publishers might happily support a literary author making the switch to genre they’ll probably be less enthusiastic when that writer develops an itch to move back toward literary writing. The obvious compromise – write literary under one name, genre under another – works for some, but is a stopgap solution while the industry struggles to catch up with the reality of what’s happening. Because it’s not just a matter of writers flipping back and forth, it’s a matter of genre and literary cross-pollinating to produce a new species. Genre books written by literary writers are different than those written by authors who have always embraced and exemplified that genre.

The so-called "literary writers" are only beginning to notice what those of us who've always toiled in  "genre" writing have always known...the labels are meaningless. All that matters is whether you are telling a good story that grabs readers. And all it takes is one look at the bestseller lists to see what readers really want. More often than not, the bulk of the NY Times list is dominated by mysteries and thrillers. If a book is a mystery or a thriller, does that inherently make it less "literary" than a story about a family that's slowly disintegrating under the weight of the lies that they tell themselves and one another? I don't think so.

TV Main Title of the Week

The Los Angeles Times magazine is trying to pick the best main title sequences of all time. You can watch them and vote here. I don't think this one is in the running...but I hope you enjoy it anyway.

Mr. Monk and the Mug Shot

Gary Mugford over at Mug Shots gave MR. MONK ON THE COUCH a terrific review. He said, in part:

Goldberg is relishing the freedom, the end of the TV series has afforded him. That's obvious. It's odd to refer to this book being Natalie-centric, when in fact, she narrates every book and it's her voice in your head all the time. But in the previous 11 books in the series, that voice was talking about Monk most of the time.

[...]As they say in the late-night infomercials, but wait, there's more. While Natalie's doing her P.I. with training wheels thing, there are other murders for Adrian Monk to solve. And solve them he does. Only to have a suit from upstairs at the Police Department invalidate his solutions because he doesn't have proof he's right. Knowing who and how a bunch of murders happened turns out frustratingly inconclusive, a "Here's what happened" moment without the payoff/conviction.

Until Natalie and Detective Amy Devlin rescue the case by thinking, and working, outside the box. We see Natalie working 'undercover' for the first time. And I bet you it won't be the last time.

The question posed in the book is, what would happen to Natalie if something happened to Monk? She might go back to her rich family. But not now. We know the answer.

He's right, I have been having a lot of fun with the last few MONK books. Since the TV series ended, I've been taking a few more chances with the characters and it's keep the series fresh...though I think if you've read all the books, you'll see the changes as natural steps in their evolution (particularly with Natalie, playing out an arc that began with MR. MONK AND THE DIRTY COP). 

MR. MONK ON PATROL, coming in January, definitely builds on the themes and events in MR. MONK ON THE COUCH. And the one I am writing now, MR. MONK IS A MESS, is a direct sequel to PATROL (in much the same way that MR. MONK IS MISERABLE was a direct sequel to MR. MONK GOES TO GERMANY).

I have only a vague idea where the next book may go...but it has been nice to be able to let the characters evolve in ways that I couldn't while I had to stick to the continuity of the TV show.

Boob Tube

Boobs are back on TV...and in a big way...this season with CHARLIE'S ANGELS, PAN-AM, and THE PLAYBOY CLUB, to name a few. As The Wrap reports:

Martha M. Lauzen, Ph.D., the executive director for Center for the Study of Women in Television and Film, suggests that, particularly in dour financial times, male viewers -- not to mention the overwhelmingly male decision-makers at the networks -- might be looking to retreat into less complicated, more comforting times.

"In times of economic and social upheaval and difficulty, nostalgia and a longing for an era when life seemed simpler tend to bloom," Lauzen said.

That could be especially true in an era when men -- at least the ones not on TV, anyway -- find themselves losing economic and social ground to the fairer sex.

"As women continue to gain economic, social and political power, there is always some sort of backlash, a desire to put women 'back in their place,'" Lauzen adds.

"These programs may reflect that type of wishful thinking."

Naturally, those involved with the series have a different take on the matter. At the Television Critics' Association press tour earlier this month, "Pan Am" star Christina Ricci dismissed cries of sexism, claiming that her series provides "a really great message for young girls and women ... [Air travel] is something that's exciting for these women. We're as excited as the passengers are."

Never mind that the Pan Am stewardesses were subjected to mandatory girdle-wearing and weigh-ins. Or that the trailer for the series prominently features a clip of one of the stewardesses stripped down to her bra as she frantically changes clothes in the back of a taxi.

I,for one, can't wait for the new take on THREE'S COMPANY as a female-empowered show...with female empowered breasts.

Fall Season Promo of the Week: It's On Fox